Achilles, Best of the Greeks (
refusetofight) wrote2024-10-08 06:59 pm
For @messageforyou
The palace at Skyros is only a loose sketch; Achilles dreaming memory can only paint it in sparing detail after so many years. The shapes and colors describe the place as much as Achilles’ emotions: The palace itself is washed out and bland, but the sunny rocks, the glittering sea, and the endless horizon just beyond are vibrant, tantalizing with the lure of fateful heroism.
It felt like a prison after the freedom of his bright, sunny youth on Phthia and his adventures on Mount Pelion. He was bored, impatient, but respected his mother’s wishes even as he resented them.
The dream palace is hollow and quiet. Lycomedes’ table is empty. His daughters’ looms are left abandoned. Achilles imagines the real Skyros must be in the same sorry state; he left Deidamia unwed and Lycomedes had no sons to defend his meager kingdom.
Achilles walks the halls and thumbs the shells encircling his wrist. He has no dream guide this time, but he came here on his own instincts: visit a memory both he and Pyrrhus share. Eventually, he finds an abandoned lyre and settles to play in a central courtyard where plucked notes echo hauntingly between colonnades—the only sound in the palace other than the sigh of the sea.
It felt like a prison after the freedom of his bright, sunny youth on Phthia and his adventures on Mount Pelion. He was bored, impatient, but respected his mother’s wishes even as he resented them.
The dream palace is hollow and quiet. Lycomedes’ table is empty. His daughters’ looms are left abandoned. Achilles imagines the real Skyros must be in the same sorry state; he left Deidamia unwed and Lycomedes had no sons to defend his meager kingdom.
Achilles walks the halls and thumbs the shells encircling his wrist. He has no dream guide this time, but he came here on his own instincts: visit a memory both he and Pyrrhus share. Eventually, he finds an abandoned lyre and settles to play in a central courtyard where plucked notes echo hauntingly between colonnades—the only sound in the palace other than the sigh of the sea.

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He looks at the king. His calm should be impressive, but it’s an artifact of numbness. Bred out of necessity. “You’ve worked all your life to impress me, and what have I done? I’ve come and asked more of you. Too much. Just as Odysseus and Diomedes and Agamemnon asked too much of you.”
Achilles steps around the fading afterimage of his son’s memory, dissipated by the anger thrumming through the dream. “Just as Ophelia’s father asks too much of her.”
He moves closer to the king to meet his eyes. “You’ve every reason to be angry with me.”
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No, there’s no changing history. Achilles still chose war and death over family. Odysseus used that as leverage for Pyrrhus and reinforced an image of Achilles that was not inaccurate, but still lacked nuance. How could Odysseus—or anyone else—know what lessons Achilles only learned in death?
“Much has been asked of you, and you’ve labored tirelessly to deliver on it.” The Greeks, Achilles himself, Pyrrhus’ own mother in her ailing state. Pyrrhus served them all loyally and what has he received in turn?
Achilles adjusts Pyrrhus’ weight so he can reach out a hand, rest it on the king’s arm. “You’ve done enough. Now … what would you ask of me? What can I do for you, lad?”
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There’s little Achilles can do to change that. Not without time and patience. He wants to bend Pyrrhus, not break him.
“I won’t leave. You have my word.” He meets each of their eyes in turn.
“Is that all you ask? Is there more I can do?” he asks after a moment, then adds, “I’ve found your boys in Asphodel and brought them to your mother. I’ll continue to visit and do everything in my power to make their eternities comfortable.”
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“Like with most lost babes, other shades had been looking after your lads. Few can abide the sight of a child alone in Asphodel.” Achilles rarely has difficulty finding a kind guardian for the shade of a newly-dead child: adults who never had a chance at rearing children in life, or parents and grandparents who left their families behind. “A young mother who died in childbirth gave Amphialus comfort. She insisted on coming along and helping Deidamia.”
Not that child shades need too much care. The infants still instinctively seek a mother’s breast, but older children mostly need company and safety from the Underworld’s perils.
“I found Pergamus playing with a few other lads. He was quite content with his friends. Children often adapt to death more readily than adults.”
Achilles combs Pyrrhus’ hair behind an ear. “He asked after you. I told him that you miss him very much. When next I see him, I’ll deliver your apology.”
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It’s hard enough for Achilles to keep track of time, as connected as he still is to the living world. How much worse is it for the shades of Asphodel?
“I’ll deliver your thanks and your love,” Achilles guarantees with a warm smile. This urge to show gratitude stirs new pride in his son. “They’re good lads. Fate took them too soon, but I’m pleased to have grandsons so near.”
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But the conversation has, thankfully, moved on. He laughs softly at the story of his grandson’s antics.
“There are no spiders to be found in Asphodel, but I will be certain to tell him the tale of Arachne. It’s said she resides somewhere in Erebus, but I’ve yet to meet her.” He makes a note to ask Prometheus if any spiders can survive in the Underworld and which might be safe for— … well spider bites aren’t an issue for a shade, are they?
“Amphialus … hm.” He’s still a newborn and will be forever, so his expressive options are sorely limited. “He adores Pherenike. I don’t think I could have separated them if I tried.”
In that sense, he’s getting a better mother than he might have found in Andromache. “While your mother held him, he was captivated by the bracelet you made. He loved the sound of it.”
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Achilles falls silent for a moment, rocking his weight back and forth, Pyrrhus with it.
“Can I ask that you make three?” Achilles finally asks. His son seems more receptive than he has in the past. “There’s one other person who loves you very much. You’ve never met them, but someday I hope you will.”
Asking is a risk, but he made a promise to Lyra, and as a father and a hero, he’s honor-bound to keep it.
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“As to the design: they would like anything Galene suggests. Her fine taste pairs well with your careful craftsmanship.”
Having fulfilled his duty to Lyra, Achilles clears his throat and shifts to another matter. He doesn’t consider that it might be equally baffling: “At Athens, you had a vision of your mother … Tell me, have you seen others like it? Anything unusual?”
For a terrifying moment, Achilles wonders if this woman, Ophelia, is the Morrigan in disguise. He makes it a point to ask Hermes to check when he picks up the bracelets.
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Still, the Morrigan’s message was clear, and Pyrrhus should know it.
“That was not your mother,” Achilles says, voice low and serious. “It was a portent from a god. Not a good one, as you can surely guess … But it’s a fate that can be avoided.”
For how long? The Fates already had designs to take his son’s life by violence, and his temper can always usurp reason. Achilles knows that very well. “Please, don’t take up arms in battle, lad. For Molossus and Ophelia’s sakes.”
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Achilles winces at a swell of emotion and he hugs his son closer. He didn’t lie when he said he loved Pyrrhus. His son’s heart is good and honorable, though hidden away under guarded callousness and aggression.
“You were meant to die,” he says thickly, “and one of the gods cannot abide this subversion. They are responsible for the omen, a portent of your death in battle.”
He knows how impossible this request is, both for a king and the son of a demigod. “If you avoid warring and violence, you may still elude death for a time.”
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Apollo’s vision burned such a hot scar into Achilles’ shade, it echoes in the dream. The prophecy is a blurred afterimage of an eclipse: Achilles leaving Pyrrhus in Deidamia’s care, Pyrrhus’ true death by Orestes’ hand, Molossus left fatherless. The curse manifests in each generation until it reaches distant Alexander and his own son.
Achilles ineffectually closes his eyes against the vision, but when it fades, he looks at his son. He sees all three of his aspects: the gentle boy, the angry youth, the detached king. If Pyrrhus dies, Molossus will never know his father’s complexities. He’ll be raised on tales of violence and conquest, just as Pyrrhus was before him.
“He needs to know you, lad. Your heart, not your legacy.”
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But he hears the exhaustion in Pyrrhus’ voice. He’s spent his life fighting at everyone else’s request. This is more of the same. Asking him to continue is cruel.
I’ll spend it making sure Molossus is taken care of. Those words are the final blow. Tears sting his eyes—pride in his son mixed with shame and regret for himself.
“Oh, lad—” Achilles sighs through his nose and drags Pyrrhus into a painfully tight embrace. He catches his breath thickly and continues, whispering the words into his son’s hair. “Oh, lad. You’re a far better father than I.”
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