Achilles, Best of the Greeks (
refusetofight) wrote2024-10-08 06:59 pm
For @messageforyou
The palace at Skyros is only a loose sketch; Achilles dreaming memory can only paint it in sparing detail after so many years. The shapes and colors describe the place as much as Achilles’ emotions: The palace itself is washed out and bland, but the sunny rocks, the glittering sea, and the endless horizon just beyond are vibrant, tantalizing with the lure of fateful heroism.
It felt like a prison after the freedom of his bright, sunny youth on Phthia and his adventures on Mount Pelion. He was bored, impatient, but respected his mother’s wishes even as he resented them.
The dream palace is hollow and quiet. Lycomedes’ table is empty. His daughters’ looms are left abandoned. Achilles imagines the real Skyros must be in the same sorry state; he left Deidamia unwed and Lycomedes had no sons to defend his meager kingdom.
Achilles walks the halls and thumbs the shells encircling his wrist. He has no dream guide this time, but he came here on his own instincts: visit a memory both he and Pyrrhus share. Eventually, he finds an abandoned lyre and settles to play in a central courtyard where plucked notes echo hauntingly between colonnades—the only sound in the palace other than the sigh of the sea.
It felt like a prison after the freedom of his bright, sunny youth on Phthia and his adventures on Mount Pelion. He was bored, impatient, but respected his mother’s wishes even as he resented them.
The dream palace is hollow and quiet. Lycomedes’ table is empty. His daughters’ looms are left abandoned. Achilles imagines the real Skyros must be in the same sorry state; he left Deidamia unwed and Lycomedes had no sons to defend his meager kingdom.
Achilles walks the halls and thumbs the shells encircling his wrist. He has no dream guide this time, but he came here on his own instincts: visit a memory both he and Pyrrhus share. Eventually, he finds an abandoned lyre and settles to play in a central courtyard where plucked notes echo hauntingly between colonnades—the only sound in the palace other than the sigh of the sea.

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Still, the Morrigan’s message was clear, and Pyrrhus should know it.
“That was not your mother,” Achilles says, voice low and serious. “It was a portent from a god. Not a good one, as you can surely guess … But it’s a fate that can be avoided.”
For how long? The Fates already had designs to take his son’s life by violence, and his temper can always usurp reason. Achilles knows that very well. “Please, don’t take up arms in battle, lad. For Molossus and Ophelia’s sakes.”
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Achilles winces at a swell of emotion and he hugs his son closer. He didn’t lie when he said he loved Pyrrhus. His son’s heart is good and honorable, though hidden away under guarded callousness and aggression.
“You were meant to die,” he says thickly, “and one of the gods cannot abide this subversion. They are responsible for the omen, a portent of your death in battle.”
He knows how impossible this request is, both for a king and the son of a demigod. “If you avoid warring and violence, you may still elude death for a time.”
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Apollo’s vision burned such a hot scar into Achilles’ shade, it echoes in the dream. The prophecy is a blurred afterimage of an eclipse: Achilles leaving Pyrrhus in Deidamia’s care, Pyrrhus’ true death by Orestes’ hand, Molossus left fatherless. The curse manifests in each generation until it reaches distant Alexander and his own son.
Achilles ineffectually closes his eyes against the vision, but when it fades, he looks at his son. He sees all three of his aspects: the gentle boy, the angry youth, the detached king. If Pyrrhus dies, Molossus will never know his father’s complexities. He’ll be raised on tales of violence and conquest, just as Pyrrhus was before him.
“He needs to know you, lad. Your heart, not your legacy.”
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But he hears the exhaustion in Pyrrhus’ voice. He’s spent his life fighting at everyone else’s request. This is more of the same. Asking him to continue is cruel.
I’ll spend it making sure Molossus is taken care of. Those words are the final blow. Tears sting his eyes—pride in his son mixed with shame and regret for himself.
“Oh, lad—” Achilles sighs through his nose and drags Pyrrhus into a painfully tight embrace. He catches his breath thickly and continues, whispering the words into his son’s hair. “Oh, lad. You’re a far better father than I.”
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Somewhere, he hears Hermes and Patroclus, urging him to set aside his gnawing regret. All he can do is march ahead.
“We’ll have plenty of time. An eternity together,” Achilles says, voice still choked with emotion. “You and I. Your mother and your sons …”
He slowly pets the back of Pyrrhus’ curls as tears slip down his cheeks. “Until then, I only ask that you enjoy every moment with Molossus and Ophelia. Swim in the sea as often as you can. Savor every meal.”
All the things that can’t be had in the Underworld.
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Meanwhile Achilles, the dauntless hero of Troy, still recoils from the mere thought of fresh grief. He smiles grimly to himself.
“I have many regrets,” Achilles sighs, his breath rustling Pyrrhus’ hair. “If they were kindling, there would be enough to build my pyre twice over …
“Regrets make for a restless afterlife.” His embrace loses its tight desperation with his exhale. His arms relax heavily around his son’s shoulders. “But it brings me peace to know that you have none.”
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He leans back far enough to cup Pyrrhus’ cheek in a calloused hand and examines his son’s brown eyes thoroughly, confirming the honesty he hears in his voice. There’s deep weariness in them, of course, but Achilles doesn’t observe any regret.
The serious set of his face softens into a fond smile. He’s proud, but he can’t take any credit at all for his son’s perseverance or pragmatism.
“You have much to teach me, lad,” he laughs. “In fact, you’ve already given me plenty to think about.”
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Achilles likes this complete version of his son: affectionate, determined, pragmatic. He wonders what his son could have become if his youth wasn’t consumed by war, if he’d had a father, if he hadn’t suffered so much injury and loss. But he wouldn’t be the same man, would he?
To love his son is to make peace with the circumstances that shaped him. Pyrrhus has already learned to show Molossus grace, no matter how fate shapes him.
Achilles presses a kiss to Pyrrhus’ forehead. “He’s lucky to have you for a father. Truly.”
His hands drop to find both of his son’s once more. Hands stained with the same blood, coarse with the same callouses. Hands that have plucked lyre strings into song and threaded delicate shells into tokens of affection. “I love you, Pyrrhus. You’ve grown into a fine lad.”
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“Death is different for each of us. Whether we welcome it, or fight it. Whether it’s sudden or prolonged,” he begins. Achilles has spoken with may people about their deaths. An old woman described it as falling into a deep, restful sleep. A fisherman said it felt like coming unmoored from his body and drifting away on a riptide. A child said it felt like stumbling and breaking like a vase.
“It felt like sloughing off heavy armor. A dizzying lightness, then abrupt and absolute silence. The chaos of battle no longer reached my ears.” He brings a hand to his own chest. “I never understood how loud my own mortal body was until my heart and breath had stopped.”
Achilles’ eyes look toward the sea. Those final days were a numb blur. “After all that had happened, I welcomed the stillness. It was my fate as foretold, and half of my soul had already been lost.”
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If Pyrrhus’ obvious resentment for Pat ever cools, they would probably enjoy some quiet commiseration.
“The Underworld is much like the stories say. It doesn’t boast the same splendors as the world of the living—no sea, no sky, no seasons, precious few animals—but it still inspires awe.”
He senses the note of concern in his son’s question. “If you’re concerned about how to occupy your time, arrangements can be made. The Underworld needs skilled guards to keep shades in and the living out.” He carefully doesn’t mention that the last living person to enter the Underworld was Pyrrhus’ half-sister. Instead, he runs a thumb over the bump that’s formed on Pyrrhus’ finger from many hours of writing. “Your experience with the stylus and tablet would lend well to clerical work. There’s plenty of that to be done.”
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“You’ll find that I’m woefully out of practice,” he laughs. Particularly now that he no longer trains the prince.
“Which arms are you best at?” Achilles asks, head cocked. “Spear, blades, bow and arrow?”
If Pyrrhus was anything like him, fighting came as naturally as breathing or walking or swimming. Mastering a new weapon or technique only took a matter of days before the weight, the movement, the balance was second nature.
But even demigods need someone to get them started. Lycomedes had few fighting men, and none of them skilled. “Who was responsible for your training?”
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It disturbs him that his son was always this way. Pyrrhus was cast as a monster even before he landed at Troy. A bastard. Isolated. His untamed strength feared instead of celebrated.
He should have been there for him, Achilles thinks, to give Pyrrhus legitimacy, to shape his divine strength and cool the anger that was passed down in his blood. He could be a son, a friend, a student, not simply a weapon.
“What will you do when you encounter their shades in Elysium?” Achilles asks gently. “Odysseus, Diomedes … the other Greeks?”
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“I’ve exchanged both words and blows with Odysseus since last we spoke. I would not fault you for more. Much more.” Odysseus’ best weapon is his silver tongue and after only a few words, Achilles had the urge to rip it out completely. He settled for a solid haymaker to shut him up before dumping the tactician in the Styx.
The other veterans laughed, pleased by the return of “old Achilles” even if the reason for it was baffling. Why was he suddenly so worked up about his strange bastard son? Achilles stubbornly didn’t offer any explanation.
“His son was about your age, abandoned for the same war.” Achilles huffs in renewed anger. “How could he not see his own lad in you?”
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